Her voice is churlish, rich yet rough enough to disconcert, and keeps that continual feeling of edge and tension that tango needs to hold its brooding center intact. (Jian Frailey, Folk Roots) |
Tango argentin Occora, 1990 (réf. C 559091) The trio of musicians
who accompany her Record presented
in concert in the |
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Diapason d'or 4 étoiles Monde de la Musique 9 R de Répertoire |
L'époque Tango The Era of Tango Playa Sound, 1998 ( réf. PS 65198) This is the first
instance of a singer of tango being accompanied by the barrel organ*,
although this instrument was in fact the first to be used in the early
days of the (*) Le Ludion (le luthier)
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un événement Télérama ffff |
Borges - milongas y ...al tango Playa Sound, 1999 (réf. PS 65222) Accompanied by
her long-standing musical partners: Gustavo Beytelmann
(piano), Omar Espinosa (guitar), Per
Arne Glorvigen (bandoneon), Hubert Tissier
(bass). She revives her repertory from the concert devoted to Jorge
Luis Borges at the Centre Georges Pompidou on December 7, 1972, (broadcast
by France Musique and Arte), given in honor of his poetic texts on the
one hundredth anniversary of his birth. |
| video El Choclo, Pau (F), 2002 |
Other recordings with Haydée Alba and other artists:
Mortadela, from the stageplay by Alfredo Arias
Faust argentin (Virgin), from the stageplay by Alfredo Arias
Latin america - the music of a continent - (Playa Sound), a compilation
Haydée Alba is currently preparing a new recording.